Table of Contents:

Home
Acknowledgements
Bill Roorbach Dedication
Submission Info

Archive:

Volume 1 Spring 2002

Volume 2 Spring 2004

Volume 2 Spring 2005


Volume 5
Spring 2006
:

Contest Winners

Editor's Prize

Tumbling Dice
- Steven Shattuck-


Honorable Mentions



My Peripeteia
- Tara Sumrall-

A Charming Red Stiletto Is Dangling From A Cloud
- Allison Davis-

Winners

Red Metallic
- Sam Edmonds-

Let Your Sanctity Stain
- Michael Young-

Ready for the House
- Charles Williamson-

Sunday Drivers
- Colin Potter-

Long Island Ice Tea
- Jenica Miller-

Europa at the Cusp
- Jenni Downing-

A Tale of Two Lobsters
- Mark Deming-

American Humour
- Nicole Dellasanta-

A Dangerous Reputation
- Ryan NcNeil-

Simple Theories
-Russ Courtney-

A Personal Collection
-Kerry Sullivan-

 

Our Calling:
To Crow Like Thoreau

 

            When I moved from Missouri to Massachusetts in 2000, one of the first places I visited was Walden Pond. And while I was drawn there as a teacher of literature, I kept coming back as a teacher of writing.

            Here was a perfect creative nonfiction assignment, after all: Read the book about Walden past, then visit the Walden present. Moreover, Thoreau’s feisty declaration in Walden is the ideal attitude for creative nonfiction writers, who must fearlessly use the first person
in so many of their essays, daring to presume their story matters.

            “I do not propose to write an ode to dejection,” Thoreau wrote, “but to brag as lustily as chanticleer in the morning, standing on his roost, if only to wake my neighbours up.”

            This publication is inspired by Thoreau’s metaphorical rooster, modeling an attitude to which young writers must subscribe if they are going to dare to put their work out there in the world. That work need not be about nature, but it does need to operate out of the creative nonfiction genre, blending personal storytelling and scene-setting with an underlying psychological and/or thematic progression.

            It’s a kind of writing that often isn’t taught in workshop format for undergraduates. Yet in four years of existence, our submissions have grown steadily in quantity – approximately fifty this time around – and quality. This growth comes because of brave and talented student writers – and because of writing teachers who care enough about their students to push them toward wider audiences.

            The essays in this volume survived several rounds of discussion, during which they were stripped of author’s name and academic affiliation. They made it into the review despite
dozens more that were also well-written and interesting pieces. As for our prize winner
and honorable mentions, they also were judged – by award-winning nonfiction and fiction author Bill Roorbach – without the judge knowing affiliation.

            To all our submitters, we say thanks, and, furthermore, as long as you are undergraduates,
keep sending us your creative nonfiction. And to the undergraduates who have yet to put
their work up for consideration, we challenge you to emulate all the writers who dared to submit their work. It’s high time to set aside shyness and self-doubt, find your own perch, and start crowing.

Mike Land
Advisor, Thoreau’s Rooster
May 25, 2006